Writing a Pearl Harbor Essay Hows and Whys

Pearl Harbor is one of the most painful and defining moments of American history – there is hardly any other episode that would be just as tragic, with the possible exception of 9/11. It is possibly the most crushing military defeat the United States has suffered in the entire history of the country – and that is why it is a fitting object of study, because one should always pay attention to learning from the mistakes of the past. When writing a Pearl Harbor essay you should keep that in mind, and not simply recount the facts, but in addition to that define what the ultimate results of the battle were, how it influenced the outcome of the war, what geopolitical consequences it bore, what the American military did to avoid similar tragedies in future and so on. How to Write an Essay on Pearl Harbor Attack First of all, decide what exactly you are going to write about. You have a variety of choices: The attack itself. Its strategic implementation. Its importance as a part of the World War II. The reasons that drove the Japanese High Command. The reasons why it was such an overwhelming success for the Japanese. The influence it had on the overall development of warfare in the United States and other countries of the world. Or something completely unrelated. When writing an essay on Pearl Harbor attack you should understand that it is a complex topic which cannot be characterized in its entirety within the confines of one essay. After all, an essay is a rather small written form, and it won’t be physically possible to write simply â€Å"about Pearl Harbor†. Choose a narrower topic. Then stick to it. How Can I Get Information on Pearl Harbor As one of the most well-known episodes in the American history, Pearl Harbor attack has thousands of books, articles and research texts of all kinds dedicated to it, expressing every possible point of view on every possible aspect. You wont have any problems finding information on Pearl Harbor. You are far more likely to encounter problems in sifting through all the information in search of something you haven’t already read, or something brand new, or something dependable. Try to stick to more well-known writers, to the ones that come highly recommended by other specialists, and you will succeed. Tips on Writing an Essay on Pearl Harbor As it has already been said, choose your topic wisely (preferably it should be something that you know at least a little bit about), and stick to it. Don’t wander about, don’t try to encompass the subjects that don’t belong to the topic you have chosen, even if you think that it will help you to draw a better overall picture. The secret of a good essay on Pearl Harbor and, in reality, of any good essay, is for it to be to a point, precise, without any ambiguities. The reader should know what he is reading about from the very first moment – don’t betray his expectations.

Critical Path Method - 803 Words

CRITICAL PATH METHOD (CEE 320 – VDC SEMINAR) 4 February 2009 Jesse Santiago Desirae Magallon Overview Background History CPM Defined The CPM approach Definitions Class Exercise Background History Developed in the 1950s by the US Navy Originally, the critical path method considered only logical dependencies between terminal elements Since then, it has been expanded to allow for the inclusion of resources related to each activity, through processes called activity-based resource assignments and resource leveling. Critical Path Method for the construction industry Non-computer approach John Fondahl John Fondahl Stanford CE Professor Emeritus – 35 years Passed away last September 13th, 2008 US Marine Corps Sergeant in†¦show more content†¦Critical activity – activity with zero float Resource leveling – iterative process of assigning crews to activities in order to calculate their duration Definitions Activity Identity box Early Start (ES) Early Finish (EF) Activity ID Late Start (LS) Late Finish (LF) Duration Class Exercise A STAR T C G H B D F Activity ID A B C D E F G H Duration 7 3 6 3 3 2 3 2 A B D,F B C E,G Dependency E Class Exercise 0 A 0 7 7 7 7 7 C 6 13 13 13 13 G 3 16 16 H 16 0 B 7 3 10 10 3 3 D 3 13 13 6 6 E 3 16 9 2 18 18 16 3 F 11 5 2 13 Class Exercise Gantt Chart Summary Critical Path Analysis is an effective and powerful method of assessing: Tasks which must be carried out Where parallel activity can be carried out The shortest time in which a project can be completed Resources needed to achieve a project The sequence of activities, scheduling, and timings involved Task priorities References Fondahl, John W., â€Å"Non-Computer Approach to the Critical Path Method for the Construction Industry†, Report #9, Stanford University, 1961 Fondahl, John W. â€Å"The History of Modern Project Management – Precedence Diagramming Methods: Origins and Early Development†. Project Management Journal. Volume XVIII. No. 2. June 1987. Hendrickson, Chris Au, Tung, Project Management for Construction, Prentice Hall, 1989 Weber, Sandra C., Scheduling ConstructionShow MoreRelatedThe Critical Path Method ( Cpm )1023 Words   |  5 Pagesbusiness, project management is critically important. The critical path method (CPM) will provide a timeline for the project manager for when tasks should be completed. In addition, providing a deadline and the negative effects it will have on the following successors if not completed on time. These many task are interdepended. Therefore, the CPM provides the start and finishes times of the tasks, and identifies the few tasks on the crit ical path that the project manager should observe to determine whichRead MoreApplying Pert And Critical Path Method1181 Words   |  5 PagesAPPLYING PERT AND CRITICAL PATH METHOD IN EVENT MANAGEMENT TABLE OF CONTENTS 1. ABSTRACT 2. INTRODUCTION 3. METHODOLOGY 4. FIGURES 5. METHODOLOGY 6. CONCLUSION 7. REFERENCES LIST OF FIGURES 1. Representing the activities to be performed, the necessary time and its costs 2. Chart PERT representing the tasks between the time and costs of the organization trainer 3. The PERT chart representing the critical path, its cost and the total time of dance training. 4. Representing theRead MoreCritical Path Method ( Cpm ) Technique1450 Words   |  6 PagesCRITICAL PATH METHOD (CPM) TECHNIQUE Critical Path Method has been extensively used for planning and scheduling construction work for decades. As mentioned earlier, the study conducted by Tavakoli and Riachi (1990) results from responding industries has shown overwhelming satisfaction of using the CPM technique for planning and scheduling projects. The first steps in building the CPM technique is the activity list. Activity is defined as a task that consumes time and other resources for completingRead MoreCritical Path Method and Century Health Clinic1047 Words   |  5 Pagesï » ¿Note: ALL assignments are required to have a TITLE page which must include the course number and section, team member names, assignment number and due date. Any written component must be prepared using a word processor. Diagrams, charts, and graphs should be constructed using computer software. A portion of the marks for computer constructed diagrams is awarded for professionalism of display. Written answers are to be expressed in complete thoughts. Check spelling and grammar. Answers to assignmentRead MoreExam: Critical Path Method and Project Management Techniques6905 Words   |  28 Pagestasks. b. Gantt charts give a timeline for each of a project s activities, but do not adequately show the interrelationships of activities. c. Project organization is most suitable for projects that are temporary but critical to the organization. d. All of the above are true. e. None of the above are true. a (Project planning, moderate) 2. Which of the following statements regarding Gantt chartsRead MoreThe Critical Path Method ( Cpm )1002 Words   |  5 Pages The critical path method (CPM) is a step-by-step project management technique for process orchestrating that defines critical and non-critical tasks with the goal of averting time-frame quandaries and process bottlenecks. The CPM is ideally suited to projects consisting of numerous activities that interact in an involute manner. Then the connections between the tasks, kenned as dependencies, are established. By following a path route among the project tasks that isRead MoreThe Critical Path Method ( Cpm )1113 Words   |  5 PagesJuly 6, 2015 MGT645: Project Management Essentials Professor James Marion Briefly describe â€Å"critical path.† Be sure to include in your description how critical path is determined, and why it is important. The critical path method (CPM) is a step-by-step project management technique for process orchestrating that defines critical and non-critical tasks with the goal of averting time-frame quandaries and process bottlenecks. The CPM is ideally suited to projects consistingRead MoreNetwork Diagram, And Critical Path Method1313 Words   |  6 Pagespoor quality. Accordingly, a project manager should consider the work space as one of the important factor during a construction. According to Chau et al. 2004, Mallasi 2006, and Wang et al. 2004, although the grant chart, network diagram, and critical path method are some existing construction planning techniques, they have some limitations to demonstrate the three-dimensional features of activities. In addition, it is difficult even for expert project managers to manage work-space problems and theirRead MoreCPM or Critical Path Method for Healthcare1099 Words   |  4 Pagesdeliverables. Further analysis process has four pages: creation of a model of how we will perform the work, secondly an estimation of activity durations, timing calculation of the activities and forth the presenting of the results. A more appropriate path is to follow a â€Å"start-to-finish† dependency. First a questionnaire must take place and then send it to the involved departments in our subsidiaries, duration of this task is about 2 weeks including replies. In the mean time starts the procedure ofRead MoreThree Point Technique to Estimate Task Duration, Es-Ef, Ls-Lf Procedure to Indentify Critical Path.1261 Words   |  6 Pagesduration serially would give us 70 weeks. But some tasks within some activities can be done in parallel sequence or simultaneously, which would significantly reduce the construction project completion time using the critical path method (CPM). In this method the longest path is the critical path which runs through one of the route in the project network diagram from start to finish. This project network diagram is illustrated on the printed assignment page, we have 10 tasks listed from A to J. Below is

Labyrinth by Fleshgod Apocalypse free essay sample

Fleshgod Apocalypse Labyrinth Release Date: 16 August 2013 Origin: Italy Genre: Symphonic Technical Death Metal Rating: 9.8/10. As Good As: Decapitated Nihility, Ignominious Incarceration Of Winter Born, and Obscura Cosmogenesis. Not As Good As: Decrepit Birth Diminishing Between Worlds, Hour of Penance The Vile Conception, and Death Human. Hailing from Italy and leading the scene of Italian Technical Death Metal, second to only Hour of Penance (which a member of Fleshgod Apocalypse is also a member of) , Fleshgod Apocalypse has released their third full length album, entitled Labyrinth on the sixteenth of August this year. A more fitting title has never been placed on an album, in my opinion, for this album is littered with multiple twists and turns that at one point, you’ll have to stop and consider is you are trapped in a never ending maze or not. Fleshgod Apocalypse brings back its unique symphonic sound to the scene of death metal this year and stretches the boundaries of production while maximizing on their physical capabilities with their instruments. Labyrinth is the first album released by Fleshgod Apocalypse on their contract with the always promising Nuclear Blast Records and being a large fan of Fleshgod, you could expect that I was more than anxious to get this album in my hands, and on first listen, this album could very well be a landmark in the likes of all metal. Technical Death Metal is not a genre taken likely in the Death Metal Community and for Fleshgod, a name that most promoters of the genre are well aware of, it is second nature to play this music. This album is a conceptual album, following the tile, Labyrinth. The album follows multiple Greek myths , most notable, the stories of the Minotaur, Icarus, and Daedalus. The first track clocks in at six minutes long which, in this genre of music is quite long and unorthodox. The first minute of the intro is riddled with heavy breathing coming from a man, breathes that could only be interpreted to mean that he just finished doing work, or rather, he is panicking. The b reathes are then accompanied by the sounds of a shutting door, likely the door of the Labyrinth that the title is named after. Low Opera cries soon join the heaving and footsteps, getting louder and louder and finally at the 1:20 mark, the guitar joins in with a bone chilling chug. As the choir’s voices increase in volume, the remarkable double kick bass drum joins in, building up behind the bass and electric guitars, turning this into a familiar death metal sound. The demonic low growls of the vocalist chime in as the bass drum increases and speed and , thanks to a heavy amount of production, we’re given high shrieks from a woman in the background as the guitar continues to sweep, filling the listener with suspense as the vocal takes us through these twists and turns of the Labyrinth leading to the trademark of tech death; the guitar solo. Lasting roughly a minute, the guitarist makes use of his capabilities and sweeps away. A repeat of the chorus which is a duet betw een the main vocalist and a woman Opera singer takes place right after this solo and allows the audience to calm down only for a split second as the second solo of the song infiltrates the rhythm. As titled, â€Å"Kingborn ,† shows us Fleshgod’s new birth as kings of their genre. Next is the album, â€Å"Minotaur (Wrath of Poseidon) â€Å"which takes no break to bring in the audience, but instead hops directly into the sound that Fleshgod promised in their first track. More symphonic than the last, bringing in violins alongside the keyboard and high opera vocals alongside the growls of Tommaso Riccardi who is holds a voice only a god of metal could ever hope to obtain. Fleshgod’s evolution is apparent in this track as we’re strung along by continuous blasting of the bass drum and Trionfera’s lightning sweeping. The track is still part of the beginning of the album and acts as a suspense builder itself alongside â€Å"Kingborn† in order to build an overall suspense for the inevitable climax of the album. At this point of the album, the wait for the climax is becoming more and more unbearable, especially as â€Å"Elegy† sweeps in with a string collection that was followed by a blood curdling bass drop, only in the beginning of the song. For those not aware, a bass drop is most commonly when a single note of the bass drum is strung out and distorted, but only for a second. Imagine a the noise of a nuclear bomb exploding, and that is what Fleshgod has created. Elegy brings back the high skreiks heard in â€Å" Kingborn† alongside Riccardi’s vocals, and out of the previous tracks, the best guitar solo so far is found in â€Å"Elegy† when Trionfera follows the second repeat of the chorus with a riff, easily mimicked and not on a stellar level, however, alongside the beautiful production of this album, the solo fits right in, nice and snug. Snug? I meant brutal. And that’s precisely what this album is. Brutal. Beautifully brutal. While writing this review, I believe this is my fifth play through of the album and incidentally, out of the beginning of this 11 track list, Elegy’s chorus sticks out the most to me. Nonetheless, the album’s concept is easily seen in the next track â€Å"Towards the Sun† which could only be lyrically themed around the loss of Icarus to the blaze of the sun, however, in a metaphorically manner, I am forced to take this as a saying by Fleshgod. Honestly, this album can only be viewed as amazing, and since their first demo, Mafia, and first album Oracles, Fleshgod has been an above average death metal band, however, falling in the shadows to the likes of Decrepit Birth, Hour of Penance, and even some prominent names in the deathcore genre, Infant Annihilator and Signal the Firing Squad to name a few, have won over many death metal fans for its dormancy. â€Å"Towards the Sun† is the track title that shows that Tec h Death is the best Death and that the only other direction for it is up, and mates†¦ It’s as blazing path their taking. Due to Technical Death Metal’s unrivalled complexity, many fans of Death Metal find it hard to relate to and heavy on the ears, however, those , like myself, that have listened to tech death even during early years know that Technical Death Metal is supposed to be that way. The more complex, the more we like it. The more of the double bass that pounds away, the better the mosh pit, the more of the sweeping and riffing of the likes of Muhammed Suicmez ( Necrophagist ) and in this case, Trionfera, the better the head banging and the more bass guitar, the better the rhythm. Fleshgod capitalizes on the things that their fans ask for and then throws in a violin. Of course, to the unaccustomed ear, this may sound like a headache. Constant smashing of drums, kicking away at the bass, stroking of the guitars, and low guttural vocals that sound like demo ns have taken flesh†¦ Perhaps to some, but these guys just make it beautiful. I say all of this to emphasize Fleshgod’s jump in the right direction. I can’t say this was a leap because, after this, I doubt that there’s a trump car over it. I’d call it a leap if Fleshgod had just eased their way into this playing field, however, Fleshgod has been here since 2008, and they’ve been on this path for five years. Labyrinth was a landmark and still is, never to be moved. It’s not simply a transitional album that many bands have to go through to ease their way into a genre * cough cough * Decapitated * cough *.And don’t get me wrong. Transitional albums are needed in many cases but Nuclear Blast just gave way to an entirely different breed with Fleshgod’s signing. I’ve gotten off track but â€Å" Towards the Sun’s â€Å" metaphorical meaning is clearly relevant and for a single track to say all of this, I find it h ighly impressive which is why Fleshgod will always be a favorite of mine ( Until Necrophagist releases their new album. For those of you not clear, Necrophagist is a Technical Death Metal band from Germany, and are deemed by most listeners of this genre as one of the greatest bands to exist, however, the band hasn’t released an album since 2004 and fans constantly joke about their next album, yet to be announced. ) The track begins with the normal rapid blasting of the kick drums , however, the rhythm shifts a couple of times, unseen by modern technical death metal bands. Instead of leading with low gutturals as usual, we’re given low vocals likely from guitarist Rossi or drummer Paoli. After the first verse, another bass drop fills the air and low growls are brought back to our hearts to lift us out of our seats again. No other strings are heard in this song besides the rapid riffing of the guitar, which is even trampled over by Paoli’s ability with his feet, s mashing away at the double bass. The keyboard in the background is simultaneously increasing in pace beside the drums and guitars up until a solo which plays unlike a technical death metal solo, showing Fleshgod’s abilities to stretch this genre. The solo matches one that you would expect from the likes of Dreamshade or Amon Amarth more that Fleshgod, but its beauty annihilates normal thinking and one is forced to agree with its placement. This concludes the track and leads into â€Å"Warpledge† which begins with high shrieking riffs and the fasts double bass I’ve heard out of the entire album†¦ So far. The track starts off seeming as if it will be a discombobulated mess until the vocals spill in, and the speed tones down, and by tone down I mean, goes from 500 bpm to 499 bpm. The chorus comes in, yet again, with the opera voice that seems to be prominent throughout this album and fits so very well alongside the main vocalist and here, Fleshgod lies out a d ouble bass at mind boggling speeds. After the chorus lets out and a quick guitar solo, the bass guitar FINALLY makes a solo appearance and boy†¦ did my knees cripple. I couldn’t help but cower in a corner once the next track â€Å"Pathfinder† came in. â€Å"Pathfinder† strums into the ears of the listener as Technical Death Metal should and due to my love of classical tech death such as, Decrepit Birth, this track is definitely my favorite, or at least, my favorite so far in this album. Pathfinder is the loudest and most abrasive song on this album. A blast beat fills the rhythm and fuels Fleshgod’s undeniable power. A chanting choir joins in occasionally and sometimes clearer high vocals join in but overall, the vocals are over taken by low growls and a familiar guitar plays in the background against the never ending blasting of the double bass drum. This track does one thing, and that one thing is, it shows that F;eshgod has mastered the art of com plexity and that they are masters and pioneers of their genre. The track ends by giving the listener a break in order to brace ourselves for the eargasm coming from the next song. It’s as if Fleshgod is laughing at us with this song. After a few yearsof thinking that Fleshgod had lost it, they burst out the masterpiece of â€Å"Pathfinder† and shave off a minute littering the track with strings. I must say, I’ve never cried better tears of joy. Upon listening to the following track â€Å"The Fall of Asterion† it’s clear that Fleshgod has returned to the roots of tech death. The guitar becomes entirely too technical to remain in the genre of symphonic tech death, but the keyboard that is added into this track holds on to that name. Even though, crippled by a piano, Fleshgod bares its fangs and runs through your ears with the lowest vocals so far in this album and the most complex guitar work yet. With four more songs, I’m cringing in agony. * Wink *( Agony is the title of Fleshgod’s second album. ) Fleshgod has shown us that they are pioneers and shown us that they are a force to be feared, no longer just a memory. The next two tracks are entitled â€Å"Prologue† and â€Å"Epilogue†. At first, these two tracks grabbed my attention and I have been waiting patiently to talk about them. First, because of their placement and second because of their genius. This takes care of four of the remaining songs, however†¦ Why was â€Å"Prologue† not at the beginning of the album and why is â€Å"Epilogue† not at the beginning? Well, because these two songs are the prologue and epilogue of their own song. â€Å"Prologue† is the intro to this song. A guitar and piano instrumental that ends after only a minute and nine seconds, spilling into â€Å"Epilogue† which explodes in musical talent. The song is not an average technical death metal song, and that’s not we expect from t his inhuman band. The song mixes together melodies so beautifully that I don’t think they’ll ever lose their place in symphonic. The song begins with this female singer, singing her heart out in a high voice and is later joined by the growls of Fleshgod. The song slows for a moment and low vocals are heard in the background opening the song up to yet another explosion of sound. Epilogue is not a song that can be explained. The song is capable of twisting emotions by mixing together complex riffs, extreme blast drumming of which, the double bass does not stop†¦ I had to take a break from the album at this point because of how easily the song manipulated my emotions. This song takes best song of this album. Hands down. Just when you think the song has ended, Fleshgod draws you back in with riffs unmatchable. I couldn’t help but cry and head bang at the same time. â€Å"Epilogue† finally comes to an end with a quick chant from the opera vocals and doesn ’t quit attacking with the other instruments. I’m regretting nearing the end of this review, for I am listening to the album as we speak and at this point I don’t ever want it to end. Number 10 on the track list is â€Å"Under Black Sails†. The song comes in at 7 minutes long, the longest song on the album the most interesting. The song begins with a heavy drumming, full of snares, and bass, typical of a band outside of this genre. However, seconds into the song, a guitar strums in and removes the thought of this track being anything close to mediocre. The guitar is anything but forgiving in this track and shreds with more notes and complexity than any other track on this album. The instrument is the heaviest and most notable in the song up until the drums get faster and their volume increased a fourth of the way through. With this album, there is an expectancy of repetitiveness; however, Fleshgod’s writing is just so complex that they were completely able to avoid repeating riffs or style all throug hout this album, unlike many other death metal bands who attempt conceptual albums. This track shouldn’t have followed the pairing of â€Å"Prologue† and â€Å"Epilogue† because in comparison to these two songs, this one looks brutal but is darkened by the light of â€Å"Epilogue†. It’s still a very good song, and perhaps the most unforgiving song on the album, meaning the listener will need to take a deep breath after hearing this song, especially once the end comes and the orchestra and guitar join each other harmoniously alongside low talking. The track ends with the sound of waves crashing against a mountain face, heavily, which gives us a moment to take a deep breath before the album titled track comes in. â€Å"Labyrinth† is a Symphonic Technical Death Metal track in the purest form and is a song that I could never get tired of listening to. The track begins with a piano that sounds reminiscent of Beethoven and gets louder as the track continues. No other instruments join this piano which is the epitome of beautiful. After two minutes, the choir joins in with low humming and is followed by the strings we’ve become accustomed to. At this point, the track seems to be seen as Fleshgod’s ascension track. It’s the end of their glorious triumph and they deserve their payment and we, their sheep, will give it to them. Labyrinth shows us that technical death metal fans that brutality can be beautiful and when it is, it’s the greatest thing we could hope for in death metal. If listened to by the outside world, the first thing they’ll learn is that his genre of music is extreme and it will not be suppressed. Ultimately, I cannot put this album down and I do not want to. Total, I give this album a 9.8, falling only to Decrepit Birth in its complexity, and for the reason of the high choir vocals that chime in sometimes at the wrong moment, taking away from the overall suspense that the album tries to obtain but not enough to nullify this album’s aggressiveness.

Maya Angelou - Tragedy To Triumph Essays - Lecturers, Maya Angelou

Maya Angelou - Tragedy to Triumph Maya Angelou is a very triumphant woman. She has written many books and poems that have given her great success. If one would talk to her, he or she would think she has lead a normal, happy life. Her life is blissful now, but it wasn't always perfect. Maya Angelou's sorrowful life experiences inspired her to write autobiographical works of poetry. Maya Angelou was born April 4, 1928 as Marguerite Johnson in St. Louis. She was raised in segregated rural Arkansas. She came from a broken home. Angelou was raped at eight, and was an unwed mother at 16 years old (Williams 1). In spite of her tragic childhood, she still managed to become one of the greatest black poets of the twentieth century (Williams 1). Angelou is a poet, an author, a historian, an actress, a playwright, a civil-rights activist, a producer, and a director. Ms. Angelou began her career in drama and dance, and she married a South African freedom fighter and lived in Cairo. Later she also taught in Ghana. In th e 1960's she said that being black, female, non-Muslim, non-Arab, six foot tall, and American made for some interesting experiences during her stay in Africa (Williams 1). Ms. Angelou accomplished many things in her life. She was the northern coordinator for the Southern Christian Leadership Conference at the request of Dr. Martin Luther King, Jr. She was also appointed to the Bicentennial Commission by President Gerald Ford, the National Commission on the Observance of International Women's Year by Jimmy Carter, and in 1993 she wrote and delivered the presidential inauguration for President Bill Clinton. Maya Angelou is a decorated author. She has been nominated for two Emmy awards and has won a Pulitzer Prize. She is also a highly cultured person. She can speak English, French, Spanish, Italian, and West African Fanti. And many of her poems can inspire people today. Knowing something about Angelou's life can help one to understand her poetry. In one of Angelou's poems, ?Unmeasured Tempo?, she talks about a person's life. How mind and body do not reach their apex at the same time. By the time a person gets old enough to have a spiritual realization of who they are their body is already declining (Angelou 11).This poem is written in blank verse. It does not have any rhyme or rhythm. Yet it does use figurative language. For example, the simile, ?Dreams are petted like cherished lap dogs?. This poem is complex and makes the reader look for the deeper meaning in the poem (Angelou 11). Another one of Angelou's poems is ?Little Girl Speakings? where she once again writes autobiographically. It's a comparative poem about the things important to Angelou in her childhood. She is explaining to one of her peers that she has the best parents and the best toys(Angelou 65). There are a lot of literary devices used in this poem. The two most obvious ones are slang and repetition. The phrases ?Ain't nobo dy better's my daddy?, ?Ain't nothing prettier'n my dollie?, and ?No lady cookinger than my mommy? are repeated in this poem (Angelou 65). The rhyme scheme, ABBA, is simple yet unusual. There are many words that rhyme like quauter and daughter, said and head, and pie and lie (Angelou 65). A third and final poem of Angelou's is ? Avec Merci, Mother? (?avec? means ?with? in French). This poem uses very simple language, but it is very complicated. The subject seems to change in the middle of the poem. She first talks about her mother being this perfect beauty who was polite and adored. And then it talks about a person who catches her eyes who seems to be her son and then she associates him with his father. This poem is one of Angelou's more difficult works to understand (Angelou 18). This poem doesn't have a lot of literary devices. The rhyme scheme of this poem is ABABCDED. Angelou uses literary devises like similes in the phrase, ?He's so much like his daddy when he cries? (Ange lou 18). The style of Maya Angelou can range from complex symbolical ideas to easy, straightforward concepts. Firstly, her style is like a